oursin: The Delphic Sibyl from the Sistine Chapel (Delphic sibyl)
[personal profile] oursin

Sitting in bijou London City Airport (we so overestimated the timing), reading the paper and noting a piece about the new secularised Guide vows and critically addressing the idea of being true to oneself.(Have still not worked out how to get links in when posting via tablet.)

And thinking about all those people who would undoubtedly aver that their conduct (or as some might define it, trollery), is being true to themselves and suggestions that their behaviour is not in accordance with the highest standards of civil converse is 'censorship'.

Just throwing that out while waiting for gate announcement.

(no subject)

Jun. 20th, 2013 09:06 am
oursin: Brush the Wandering Hedgehog by the fire (Default)
[personal profile] oursin
Happy birthday, [personal profile] tournevis!

somewhat weekly reading meme

Jun. 19th, 2013 11:15 pm
firecat: red panda looking happy (Default)
[personal profile] firecat
What are you currently reading?

A Letter of Mary by Laurie R. King (#3 in the Mary Russell series)

The Privilege of the Sword by Ellen Kushner (Riverside #2), audiobook narrated by Ellen Kushner, Barbara Rosenblat, and others

Lavinia by Ursula K. Le Guin

What did you recently finish reading?

Lilith's Brood, (aka Xenogenesis), Octavia Butler. I loved this so much even though I was seriously creeped out by it. Alien aliens! Real biology! Ambivalence, adaptation, allies, bonding, captivity, coercion, communication, conflict, consent, enemies, family, freedom, gender, genetics, genocide, healing, hierarchy, identity, knowledge, needing, reproduction, resisting, sex, symbiosis, telepathy, tribe, wanting, war, xenophobia.
These essays are linked from the Wikipedia page; I posted them before but I thought they were worth posting again.
"Dialogic Origins and Alien Identities in Butler’s XENOGENESIS" by Cathy Peppers
Octavia Butler’s Xenogenesis Trilogy: A Biologist’s Response by Joan Slonczewski

August Heat by Andrea Camilleri (Montalbano #10). Audiobook. Montalbano is a Sicilian cop. Almost all the novels are about sex crimes, and I usually figure out the plot before the end, but I like them anyway. The translator and narrator are really good.

What books did you acquire this week?

The Wings of the Sphinx by Andrea Camilleri (Montalbano #11)

Ack!

Jun. 19th, 2013 07:07 pm
conuly: (Default)
[personal profile] conuly
Found the glasses screwdriver, lost the screws. Found the screws, fixed Ana's glasses, lost a steak. A steak! Now, how does one lose one out of three steaks?

(With the aid of a cat, I think. I had put down the groceries to rush to the bathroom, and never really glanced at them when I put them away.)

Found the steak, but honestly, what am I going to do with a slab of meat that's been out more than 24 hours in the summer? The little miscreant didn't even eat much!

Rounding up the reading

Jun. 19th, 2013 09:13 pm
oursin: Photograph of small impressionistic metal figurine seated reading a book (Reader)
[personal profile] oursin

Finished during the week

Stable Strategies - as always, short story collections, a bit mixed, but these were all pretty good.

Tender Morsels: this was good, but although I can see that, somehow I never quite warm up to Lanagan's work, which may not be the point anyway.

Gail Godwin, Flora. Just out. Does her thing of the subtleties and nuances of diverse relationships between women, excellently, though I thought the end could have done with being less melodramatic and more of the kind of thing Elizabeth Taylor does.

Ingested a couple more Christies, The Clocks and Cards on the Table.

Two re-reads, Margaret Drabble, The Sea Lady, and Nicola Griffith, Always, which I came across when looking for something else and remembered I had on my re-read list. I'm not sure it holds up quite so well when you know where one plot strand is going to go, and on the whole I'm not sure I like it as much as Stray.

Still on the go

Have not felt like srs feminist art history so Glasgow Girls languishes on the back burner.

I was directed towards a free download of Deirdre McCloskey's Crossing: A Memoir and while I find it is one of those pdfs that doesn't work terribly well with my ebook reader it is my current on-the-go e-reading.

As I'm going away maybe I will finally get properly stuck into Suited, which has also been languishing.

I've just started Gail Godwin, The Making of a Writer Volume 2: Journals 1963-1969.

Coming Soon

Taking away with me Elizabeth Moon, Limits of Power, and Elizabeth Wein, Rose Under Fire.

legionseagle: (Default)
[personal profile] legionseagle
Via a tweet I came across from @Paul_Cornell, update on Nine Worlds plans for a major con in London, to be held 9th-11th August, at the Renaissance and Radisson Edwardian hotels near Heathrow. It's the sort of thing I'd be interested in, in principle (they've got speakers like [personal profile] rozk and Laurie Penny, as well as Cornell himself) and though it's a bit pricey and isn't in the most attractive location, yes, you could say I'm the target market.

They've got a track on Doctor Who and Torchwood, which is what Cornell tweeted the link to,* but it wasn't the best introduction to the programme

Here's the line-up of named guests (presumably Guests of Honour, though they aren't named like that)

Kai Owen is a Welsh actor best known for playing Rhys Williams in Torchwood, initially in a supporting role and coming into a main part for seasons 3 and 4. He has also appeared in Being Human and Waterloo Road, and played the lead role in BBC series Rocket Man.
http://en.wikipedia.org/wiki/Kai_Owen


Gary Russell is a Doctor Who writer. He edited Doctor Who Magazine in the 90s, has written several DW novels and co-wrote the making-of book for the 1996 DW movie. As part of the team creating the new series, he wrote Doctor Who: The Inside Story in 2006, and The Doctor Who Encyclopedia in 2007. He also directed "The Infinite Quest", an animated series tying in the the 2007 Doctor Who series, and wrote Art of The Lord Of The Rings.
http://en.wikipedia.org/wiki/Gary_Russell


James Goss is a producer and writer for Doctor Who and Torchwood spin-off media. With the return of Doctor Who in 2005, he began putting together material with the aim to construct a whole world beyond the show for fans to explore, including games, videos and fictional websites. He has produced Doctor Who animations and special features for the DVDs, as well as writing two Torchwood radio plays and four Torchwood novels.
http://en.wikipedia.org/wiki/James_Goss_(producer)


James Moran is a television writer known for his work on Doctor Who and Torchwood, including the episodes "The Fires of Pompeii", "Sleeper", and "Day Three". His feature "Cockneys vs. Zombies" was released in 2012, and he has also written for ITV's Primeval and BBC1's Spooks.
http://en.wikipedia.org/wiki/James_Moran_(writer)


Joseph Lidster is a television writer best known for his work on Torchwood and the Sarah Jane Adventures. He started writing tie-in material for the new Doctor Who series in 2005, before joining the Torchwood team to write for the second season in 2008. He has also written content for sites tying in to the BBC's new Sherlock series.
http://en.wikipedia.org/wiki/Joseph_Lidster


James Swallow is an award-winning author and multi-media scriptwriter. His novels Fear To Tread and Nemesis were New York Times Bestsellers in 2012 and 2010. He has worked on Blake's 7, Stargate, and Doctor Who, and is the only British writer to have worked on Star Trek. He was nominated for a 2012 BAFTA for his work on the video game Deus Ex: Human Revolution.
http://en.wikipedia.org/wiki/James_Swallow


Ben Aaronovitch is the author of the best selling Rivers of London series of novels. He is also the author of several Doctor Who novels and TV episodes.
http://en.wikipedia.org/wiki/Ben_Aaronovitch


All excellent people, some of whom I'd be delighted to hear, but noticed anything yet?

And then there's the track itself:

Saturday

Writing Doctor Who and Torchwood
Kicking off our GeekFest weekend in style, Messrs Lidster, Moran, Goss and Russell talk us through the joys and challenges of writing for Doctor Who (past and present), Torchwood and The Sarah Jane Adventures - for the show, novels and audiobooks.
With Joseph Lidster, James Moran, James Goss and Gary Russell

Doctor Who: The Future (... Spoilers!)
So as it stands we are facing not one but two new Doctors... or is John Hurt really The Valeyard? In fact is Matt Smith even the Eleventh Doctor at all? It's an interesting time for the future of DW and there's a lot at stake! What does the future hold for our cosmic wizard? Warning - there may be spoilers!
With David A. McIntee and Iona Sharma

Interview with Kai Owen - Torchwood's Rhys Williams
Kai Owen achieved global fame with his portrayal of Rhys Williams in Torchwood in 2006 with the character elevated to star billing for the third series in 2009 reflecting his growing role. More recently Owen has appeared in the BBC's Being Human and the Syndicate. There'll be time for autographs afterwards.
Interviewed by Joseph Lidster

Discussing Religion and Doctor Who: Faith, Science Fiction and Academic Research (hosted by the Academia track)
Religion and religious themes have consistently been a subject of interest over Doctor Who's long history. Recently, the show has attracted everything from Church of England conferences dedicated to its use in preaching, to guest appearances by Richard Dawkins. But what is the value of using a science fiction show such as Doctor Who to examine religion? Is there not a danger of turning science fiction, often seen as an avowedly secularist genre, into a tool for evangelism? Using Doctor Who as a case study, we consider that science fiction can serve as a valuable tool for scholars of religion, in examining shifting historical understandings of faith, the reception of central religious concepts, and even the idea of belief itself.
With Dr Andrew Crome of Manchester University

Doctor Who: RTD vs Moffatt
Some people still miss Russell T Davies as showrunner on Doctor Who. Others think the show's never been better since Steven Moffat took over. Who's right? There's only one way to find out... Debate!
With Paul Condon, Matt Nixon and David A. McIntee

Big Finish: The Audio Series
Big Finish's Doctor Who audio plays have enjoyed a huge success over the past 15 years, showcasing the talents of a fantastic range of new writers. We discuss the strenghts and limitations of the audio format, and talk about their other ranges of drama - including Blake's 7, Dark Shadows, Sapphire and Steel.
With Gary Russell, James Goss, Joseph Lidster, Abigail Brady and Una McCormack
Sunday

Chicks Unravel Time
Discussions and readings from the book of the same name in which our favourite series is reviewed and analysed by a host of award-winning female writers, media professionals and scientists
With Iona Sharma, Una McCormack and Jenni Hughes

Doctor Who: The Ones You Love To Hate
Nothing's more fun than a really hissable villain, and Doctor Who's had more than its fair share of dastardly dudes and dames over the years. What makes a perfect villain? Is it the megalomaniac schemes? A catchphrase? Or just a natty line in sinister clothes? We talk all about the nastiest people in history.
With Jonathan L Howard, Adam Christopher, David A. McIntee and Ben Aaranovitch

Is Doctor Who "Thunderingly Racist"?
A recent academic study of DW makes a bold claim that the show is "thunderingly racist". Is this true? No non-white actors have ever played the Doctor, and the absence of non-white people from the line-up of companions throughout the whole of the Classic Series is notable.
With Adam Christopher, Iona Sharma, Abigail Brady and Una McCormack

Torchwood: Doctor Who Goes Sexy
Fans of Torchwood are every bit as dedicated as fans of its parent show Doctor Who (have you seen the Ianto Shrine in Cardiff Bay?). We talk about why the series was such a hit, which season of the show worked best, whose death hurt the most, and what the future might hold for Captain Jack and Gwen.
With Gary Russell, Joseph Lidster, James Goss and Kai Owen

The Sarah Jane Adventures: Spinoff Success
For some fans of the Classic Series of Who, the launch of The Sarah Jane Adventures brought a nostalgic glow. We talk about the success of this brilliant CBBC series and how the team behind the show are continuing to make children's sci-fi with Wizards Vs Aliens.
With Paul Condon, Gary Russell, Joseph Lidster and Matt Nixon

Doctor Who: My Best Friend
From Susan all the way through to Clara Oswald, the Doctor's companion has been a fixture of the series for as long as it's been on the air. But who's been the greatest of them all? Jamie? Jo? Tegan? Rose? Donna? Or do you fly the flag for Dodo or Lady Christina?
With Jonathan L Howard, Matt Nixon and David A. McIntee

Noticed anything else, yet? The two "diversity" panels - "Chicks Unravel Time" and "Is Doctor Who 'Thunderingly Racist'?" have in the first case an all-woman panel, and in the second case a majority woman panel. Everything else, either no women at all, or the odd one or two being endlessly recycled.

But the final insult comes on the Home page, with the Geek Feminism track. Click on that link. Take in that photo. Because nothing, but nothing, says "feminist" like a plastic Wonder Woman figure, maintaining her plastic dignity in the way a real woman should.

So disappointing, after Eastercon. Panel Parity, so 2012?





*Incidentally, have the people who claim they would have difficulty explaining a gender-flipped Doctor to their children and who use the term "suspension of disbelief" ever attempted to explain the denouement of "The Satan Pit/The Impossible Planet" to anyone who's ever heard the terms "space" and "vacuum"? Thought not.

Reading Wednesday, 6/19/13

Jun. 19th, 2013 02:27 pm
coffeeandink: (don't bother me i'm reading)
[personal profile] coffeeandink
What I read
  • Barbara Hambly, Stranger at the Wedding - Reread. This isn't one of my favorites, but Hambly's virtues are so consistent it is almost always a great comfort to read her. I picked it because I've reread it much less often than my favorites.

    Many of Hambly's fantasies are about European-inflected worlds undergoing great technological change and attendant social shifts (sometimes it's trains, sometimes it's printing presses, sometimes it's lost access to previous wonders as transportation networks and archives break down). The background attention to the economics of her societies is one of the things that makes them feel so solid. There's also the way her take on the magic of naming seems based in scientific observation (rather than McKillip's poetry or Le Guin's meditation), and characters who are unusual for fantasy. The heroine here is tall, clumsy, arrogant, splendidly dressed, and not secretly beautiful. She returns home because of premonitions that her younger sister will die on her wedding night. The book is an investigation into a mystery and an examination of tensions within the family that cast her out six years ago.

  • JoSelle Vanderhooft (ed.), Wiscon Chronicles 7: Shattering Ableist Narratives - The Wiscon Chronicles 5-7 have really felt like they're describing my Wiscon.

  • Rachel Manija Brown, A Cup of Smoke: stories and poems - Noted without comment because Rachel is too close a friend for me to be objective.

  • Kathryn Immonen & Valerio Schiti, Journey into Mystery Featuring Sif: Stronger than Monsters - After Kieron Gillen's Kid Loki run, Marvel relaunched Journey into Mystery with a focus on Sif, who is Thor's wife in Norse mythology and a great warrior and Thor's sometime girlfriend in the Marvel version. Asgard has recently fallen and been besieged, and Sif is determined to become better able to protect it. The means that she chooses carry an unexpected price, and make her dangerous to her friends as well as her enemies.

    This suffers from coming after the Gillen run, because it's well-done but not brilliant. The change in characters, focus, and tone do help diminish the comparison. (Although Immonen keeps some of Gillen's supporting cast, particularly Volstagg's family.) This arc makes a pretty good fantasy adventure, except that the last issue wraps the storyline up too quickly and in a slightly confusing way.

    The series is being canceled soon, which is sad; I like it so much better than others that appear to be going strong.

    The art is nice and nicely nonobjectifying -- Sif stands like a warrior, not a pin-up, and there are no panels oh-so-carefully arranged to show off her ass.

    Well, mostly nicely nonobjectifying. The supporting cast are all in medievalish clothing, with both women and men clothed for the Norse winter. Sif, however, is walking around in fur-lined shorts. Her shirt actually covers her entire torso, though! (Oh, superhero comics.) And she does not wear ridiculous metal boob armor.

    I am so frustrated Marvel can't manage an art team like this for Captain Marvel. I have to admit to wishing that Schiti and Matteo Scalera would be switched over to Captain Marvel after Journey into Mystery ends.


What I'm reading
Skipping around a lot. Kevin Young's The Grey Album is my morning commute book, but I haven't settled on an evening read, which needs to be less thinky and probably fiction. Tried Karen Lord's The Best of All Possible Worlds, but I'm not in the right mood for it.

What I've acquired
  • Heather Gladney, Bloodstorm - The sequel to Teot's War, which I ordered before I realized I didn't like the first book that much

  • Annemarie Schwartzenbach, All the Roads Are Open: The Afghan Journey - Translated by an old friend.


I am now back up to four books I have acquired this year but not yet read. But I will read them! I will read them before I get Ancient, Ancient! I am determined to stick to my arbitrary but comforting book rules. Also, they have greatly slowed my TBR shelves' conquest of my living space.
oursin: Brush the Wandering Hedgehog by the fire (Default)
[personal profile] oursin

From today's ODNB Life of the Day, Timothy Bennett (1676/7-1756):

[R]emembered for his successful campaign to reopen a right of way across Bushy Park, a Tudor royal hunting ground and part of the Hampton Court Palace estate. The path, which ran for nearly 2 miles, was a popular route for local residents crossing the park between Hampton town and Hampton Wick.
....
The closing of the pathway in Bushy Park was the result of ambitious plans for Hampton Court Palace in the reign of William and Mary. One of these was an improved road which, from a grand new gateway (now the Lion Gate, Hampton Court Road), provided an entrance to the royal residence through the palace gardens. The new road, nearly a mile in length, was flanked by rows of trees from which it took its name, Chestnut Avenue..... Access to the new road, part of the royal route to London, was only permitted to those issued with tickets, and this excluded most of the local population.
....
In June 1900 the former lord chamberlain, Earl Carrington, unveiled a monument to Bennett adjacent to the public path that, since the eighteenth century, has been known as Cobbler's Walk.

And he was in his 70s at the time.

(no subject)

Jun. 18th, 2013 01:58 pm
conuly: (Default)
[personal profile] conuly
Apparently, it's news how companies deliberately add extraneous steps to boxed food products so that people feel they're actually cooking, kinda like how people prefer stingy antibiotics for cuts to painless ones. I thought everybody knew that already.

http://on.wsj.com/17nbZOu

It's still a fascinating insight into the human mind, though : )

On a similar note, fast food companies are currently working to make their food look more raggedy and less perfect so people will think more highly of it. There is something disturbing about that, I must say.

http://bit.ly/17mO0z3
dichroic: (oar asterisk)
[personal profile] dichroic

I seem to have nothing planed for today except erging, writing, and fighting with the cat (Macchiato) who seems to have an inordinate amount of energy today and is using it to attack All the Things, my feet included. (I worry that when tiring her ou with her favorite toy, a cat-dancer with some feathers hanging on a string attached to a stick, that we are really giving her physical training that leads to even more energy. Then again, erging doesn’t work that way for me!)

Yesterday I had my third interview with the same company; they had told me that they’d make the decision after the second interview, but then decided to change the job parameters a bit so brought me back in yet again. I’m very slightly disappointed in that I’d looked forward to some aspects of the original job and this is a small step down, but the job as it now stands is definitely one I’d have applied for and been enthusiastic about, so this doesn’t really change anything for me. And the original aspects of the work I’d liked aren’t ruled out, just made possible instead of definite. There are a lot of possibilities here, because it’s a new position, and many of those would depend on how effective I am, which is scary and exciting both. I’ve never yet turned down a work challenge, though, and ‘scary’ usually becomes ‘possible’ once you dive into it.

I think I may be ready to go back to work. There’s nothing left to do on the house except enlarge, frame, and hang some of our photos. Actually the hard part is deciding which of the thousands to use. It’s a delicate balance – do we want the most favorite photos, or the ones that complement the room best from a decor point of view? Some of the best are definitely our animal photos from South Africa, but I don’t like what I think they’ll do to the feel of the room. So we’ll compromise and have landscapes and architectural detail on the main wall, with a lion and a leopard flanking the TV.) I feel like my cooking is becoming less inspiring, and that I’m making more of the same things instead of doing something new every week. (Though I did learn to make a good rice pilaf last week. Funny, I’d thought it was hard, but it isn’t at all – saute onions and mushrooms, cook with rice in broth. Possibly I’d confused it with risotto.) I don’t seem to have much to go out for other than grocery shopping and my weekly dates for knitting group and library volunteering. And I can hike or bike to enjoy the nice weather we’re getting off and on. So I think I might be ready for work outside the house again.

The one thing that worries me is that I’m not sure how well my marathon training plan will survive the collision with day-jobbery. I’d planned it to be ready to do an erg marathon timed to coincide with the Arizona one, in September, which is not that far away. It’s already been feeling a little harder than the other times I’ve begun this training, because other times I’ve done it I either began at the beginning (six months ahead of the planned marathon) or jumped in partway through because I’d already been doing the meters expected at that point in the program. The end of 2K training I’d been doing is high on intensity and low on distance, so this was a big jump in distance, which is hard mentally and physically. Also, since I started only about 3-4 months before I intend to do my marathon, I’ve created my own compressed plan based on others I’ve used and seen. I feel like I’m more up to the distance now (I’m into the third week, which is the longest of the first 4-week cycle), but the ramp-up is fairly steep so we’ll see how it goes, but adding in 50 hours a week is not going to make it easier! Still, I’ve done it before.

Anyway, I guess I just wait and see on the job front. If I get this one, they might ask if I can start Monday, though if possible I’d rather hold off ’til after July 4 and try to get the complete book draft done and ready to submit to the publisher by then. I had a phone interview for one in California, but I more or less told them I’m not interested in moving, so idf I don’t get this one, I’ve had recruiter contacts for other ones, realistically it’s likely to take another couple months until I’m back at work.

Mirrored from Dichroic Reflections.

Third Salon thread: Sustaining things

Jun. 19th, 2013 08:44 am
jenett: text-only icon: Virgo Hufflepuff : details managed (details managed)
[personal profile] jenett
Welcome to our third salon discussion thread. Wander in, invite a friend to come along, and chat! (Not sure what's going on? Here, have a brief FAQ.) The first two went wonderfully - you can find them in my salon tag

I've had a bunch of conversations this week about two sides of sustaining things.

One - and probably the first one that comes to mind - is the stuff that we do to sustain ourselves. The things we do to smooth over the edges on a bad day, to keep us going in the direction we want (or need) to be, the things that make us excited about the world.

Mine include music, the powers of instant messaging and other electronic communication, and putting things into a useful sort of order. (which for me includes writing, explaining something that's useful to someone, and all of my usual "bring order to chaos" inclinations. See icon for amusement.) What're yours?

But the other is a larger question (brought on, in this case, by a couple of conversations in the Pagan community) about how we create community projects, and how we do or don't build them in sustainable ways.

One of my friends (who can out herself on this topic if she likes) has a strong preference for creating something, running it the first year or two, and then very firmly handing it off. (We've been talking about how that's different from coming into an existing project and navigating it, in particular.)

There's also another part: of the points in someone's life where they're bursting with energy to do Something New And Awesome, but yet, they have that energy in part because they've just finished something more structured, and the transition, the changes, from the structured stuff haven't full had time to settle. And as it settles, sometimes things change.

We were talking about it in the context of people shifting from formal structured training in Pagan settings into doing new things, or whatever their next step is, but the basic concept applies to people leaving school or graduate school or getting out of a relationship, or a dozen other things in our lives.

So. When you start something new (that's longer-term in scope, anyway), what do you think about in terms of making it continue? Whether that's you continuing it, or you and other people continuing it, or you continuing and then moving to a different role, or what? What things do you look at when trying to decide whether to support someone else's project with your time and your energy? What stuff do you wish people talked more about in this kind of work? And how do you decide when it's time for a thing to end (and hopefully end it gracefully?)

(I suspect I will have comments here both about Paganicon - a small hotel-based Pagan convention I helped found - and about Dreamwidth itself, but I'll save them for the comments.)

Things I'm reading:
The current book is Katherine Losse's The Boy Kings, a memoir of her days at Facebook (she was the 51st employee, one of a very few women, and on the customer service side, which I have a particular interest in reading about because of my own experience volunteering for LiveJournal.)

I'm only part way in, and there are places where I'm currently reading with a few grains of salt, but I'm finding it intriguing, and this article by Melissa Gira Grant highlights some of what I'm thinking about as I read it. (In short: whether or not one trusts all the stories - and memoirs, by their nature both have a lot of stories, and a lot of stuff that's subjective experience in both the living and the writing - the larger questions of culture and geekiness and gender and different tech-ecosystem roles are all fascinating to me.)

A few final notes
As noted, the basic thing here is 'leave the conversation better than you found it, or at least not worse'. The FAQ has more help with your choices for comment (DW account, OpenID account, or anonymously) if you need a hand. Or ask, and someone (likely me, but maybe not) will be along to help. We'll work everything else out as we go. And again, if you comment anonymously, please give us all a name to call you by.

And as always, if any of the above makes you go "Jen, ramble more about X, please?" please do.
oursin: Julia Margaret Cameron photograph of Hypatia (Hypatia)
[personal profile] oursin

This is a rather old article about Rita Levi-Montalcini, on her being the first Nobel prize-winner to hit a century (she died last year aged 103): but hey for this paragraph:

During numerous celebrations this week, she claimed that her brain was more vigorous today than it was four decades ago. "If I'm not mistaken," she said, "I can say my mental capacity is greater than when I was 20 because it has been enriched by so many experiences, in the same way that my curiosity and desire to be close to those who suffer has not diminished."

Sing it, sister!
oursin: My photograph of Praire Buoy sculpture, Meadowbrook Park, Urbana, overwritten with Urgent, Phallic Look (urgent phallic)
[personal profile] oursin

Oh, Adrian Searle, there is probably a bingo card to be made for journos reviewing any event with an erotic component and emphasising their journalistic detachment.

What I immediately note about this exhibition at the ICA is that it appears to be foregrounding the male body and genitalia (esp the latter?) rather than the perennially fascinating trope of nekkid wymmynz.

Quotes:
'obvious and a bit lame'
'[work of artist not in show] much more subtle in its sexual politics – and better drawn, too'
'Whatever subversiveness they had once has faded.... feel[s] redundant, telling us things we already know'
'Like most pornography, most sexual fantasies, and even sex itself, their work is deeply repetitive, playing again and again on the same tropes' (This plaint would work a whole lot better if one could not think of many artists who returned again and again to similar non-sexual themes, or 'We wish M Monet would get away from the waterlily thing, srsly'.)
'There is an exhibition to be made about drawing and sexual politics, pornography and protest, and the boundaries between private acts and public display. But this flaccid exhibition isn't it

***

In Dept of Oh Dear, What Is She Thinking: codfish over here for Francesca Annis:

I only took my clothes off in one film – Macbeth, directed by Roman Polanski. I looked at his past work and felt OK. He's never been into exploiting nudity. He's interested in the dark side of the female psyche.

Aaaaaargh.

More cheerily

Jun. 19th, 2013 07:51 am
legionseagle: (Default)
[personal profile] legionseagle
After yesterday, I am feeling distinctly perkier today - the clouds seem to have eased a little, both literally and metaphorically.

Incidentally, I saw Joss Whedon's Much Ado... on Monday with [personal profile] kalypso at the Cornerhouse (I cannot get my head around Mark Kermode's insistence that like MCC and Albany, it does not take the definite article, though I agree this is true of the visible branding on the place and its literature.)

Greatly enjoyed, and definitely agree with Philip French's review in the Guardian that everyone's terrible decision-making, hair-trigger tempers and impulsiveness is made much more explicable where, as here, the entire cast is permanently semi-sloshed (were one to ask one of the characters what they wanted for breakfast in this production, the answer would appear to be "a tequila slammer")

The standout performance is Nathan Fillion as Dogberry, someone I'd previously thought of as "one of those ghastly unfunny Shakespearean comic characters" but Beatrice and Benedick are very good, too; there's a scene where Beatrice is trying to shake off a guy who insists on pawing her bare arm and shoulder at a party which is brilliantly observed, and helps point out that for all her verbal freedom she's stuck in a world where women have no real power and they're constantly walking a tightrope between seen as loose or uptight.

In which regard, I don't have the problems other reviewers seem to have about the modern-dress setting and the actions of - in particular - Beatrice and Margaret compared to the "Hero has to be a virgin" McGuffin; Claudio (in particular) is established as an unbalanced obsessive with a nasty streak at an early stage, in his sudden conclusion that the Duke was after Hero on his own behalf (again, a brilliant scene).

In fact, it occurred to me (and I don't know if anyone's actually directed it this way; there were, I'd say, veiled hints in this production) that everyone's motivations would be a great deal more explicable if we assume that Don Pedro and Claudio have just started an affair, Don Pedro is a politician with a very conservative, family-values power-base, and Hero serves as a convenient beard for both of them, with her dowry (which was definitely emphasised in this production. Twice) coming in handy as a campaign war-chest.

It would explain Don John, if he's hoping to use the attack on the Hero marriage as a way of provoking something even juicier to come out.

Greenwood, Kerry: Medea (2013)

Jun. 18th, 2013 09:31 pm
coffeeandink: (unread books)
[personal profile] coffeeandink
Review copy provided by Netgalley. The galley is copyrighted 2013, but Goodreads says a version was published in 1997.

Content note: Some discussion of rape, murder, and mutilation.

This is a hard book to review because my reaction to it is basically, "Eh."

It's not a terrible book, it's not a great book, it's not off-putting, it's not absorbing. Typically, my rule for deciding if I want to watch a TV show is, "Is this more fun than reading a book?" For this book, I would much rather have been watching TV.

Euripides wrote the version of Medea best known to modern audiences: the princess of Colchis falls in love with the adventurer Jason and betrays her family -- to the point of murdering her brother -- to help Jason steal the Golden Fleece. She then has a checkered career murdering people for Jason's advancement, which ultimately leads to him becoming king of Corinth. Eventually, Jason decides to abandon her in favor of another princess. (I am not sure I have ever read a single version of this myth in which Jason is not a total schmuck.) In revenge, Medea kills the other woman and her own children. In earlier versions, Medea kills the children by accident or the children are killed by the citizens of Corinth.

In most versions, there is yet more wandering and killing and attempted killing. Most notably Medea marries Aegeus and then tries to poison Theseus when he comes to claim his birthright. (This is included in The King Must Die, because sadly Mary Renault does not seem to have ever encountered a misogynistic trope she didn't like.) Medea is often said to have escaped from both Corinth and Athens in a chariot drawn by dragons. I wonder where she stabled and fed the dragons in between witchy midnight escapes. Possibly she just borrowed them from Hekate in her times of need.

Most versions of Medea's history end with her returning to Colchis and killing her uncle to restore her father to the throne. Presumably her father felt that this made up for that one time she murdered her brother and chopped his body into little pieces to scatter in the sea.

Mildly spoilery, but you already know most of this. )

(no subject)

Jun. 18th, 2013 05:10 pm
[personal profile] the_rck
Last night was the first softball game of the season. The park where it was had plenty of shade. I believe we have two or three other games at this particular park. I hope I'm remembering correctly. Shade is by no means guaranteed, and it makes the whole thing considerably more pleasant. Last night was especially nice because it wasn't hot.

The coaches pitch for their own teams at this level. It's next year that the girls start to pitch. Our coach is not a very good pitcher, so the girls tend to strike out a lot. Each girl at bat gets five pitches, good, bad or indifferent. If she can't hit one of them, she's out, even if they were all bad. Scott kept saying that they ought to give the girls golf clubs because of how low to the ground the pitches were. I think part of the problem is that the coach insists on standing way back from the plate. The other coach stood about half as far from the batter as did our coach.

Cordelia played left field a couple of times, second base once and catcher once. At second base and as catcher, she tagged runners out. There was another girl she should have tagged out, but none of the girls knew that they had to tag the runner to get her out. Cordelia got on base twice (I think she batted three times) and made it home once.

I think Cordelia's team lost, but nobody told us the score. There's always a parent who's keeping score. The forms are arcane and complicated. There's data to be entered for each batter as they run the bases. I don't understand it at all. Scott doesn't either.

Fortunately, the park was close to Whole Foods. Scott didn't have time to get dinner before the game, so he went to Whole Foods to get something to eat. I'm not sure what we're going to do about that. The games all start at 6:30, and we were late getting there last night in spite of having half an hour to get there. Traffic was difficult. We couldn't have left any earlier because Scott wasn't ready to go. That'll be a problem next week, too. (Tomorrow's game, it won't be an issue. Scott has PT and will be coming late to the game. Cordelia and I will be riding to the game with another family.)

How late the games end is going to be an issue, too. Scott had to go in to work early this morning and, ideally, should have been in bed at 8:00. The game ran until 8:30. I don't think he was in bed until about 9:30. That's not sustainable, but I don't see that we have a choice.

Business must be bad...

Jun. 18th, 2013 08:20 pm
oursin: Brush the Wandering Hedgehog by the fire (Default)
[personal profile] oursin

Email today anent my website by somebody representing 'a low cost website design and promotion company', exhorting me to install Google Analytics and to take advantage of their company's special offer discounts for their 'low cost social media service where we "tweet" and post for you regularly every day... about your products or services as well as lots more'.

Apart from not proof-reading their emails before they send them, or perhaps they really believe that possessive its boasts an apostrophe (not the only error), this representative appears to have failed to register that, hello, this site is not a business! ain't no money in it atall!

I mean, I would be very grateful if people could be driven to my deconstruction of historical myths about sex, but on the whole, not to the extent of paying someone to send semi-literate tweets on my behalf.

Okay, I realise that my web design is so out of date that by now I am probably qualified for some kind of English Heritage listing as a handcrafted website, c. 1998, though with some minor alterations over the years ('no! no! don't destroy that rare period feature!'). I daresay it could do with a spruce up, but then, you know, unspoilt period features...

I'm also thinking of doing away with some of my curated link pages, on the grounds that although I update them with incoming information, these days I no longer have time to check these regularly to see if the links still go anywhere or 404 (or worse); and surely most of this information is far more readily available than it was when I began this project.

I might, however, install Google Analytics: I'm a bit unprepossessed with sitemeter at the moment.

PSA

Jun. 18th, 2013 09:03 am
coffeeandink: (Default)
[personal profile] coffeeandink
Some US retailers currently have the ebook versions of the following 90s sf novels at $.99. (I checked Amazon, B&N, and Kobo.)

Maureen McHugh, Nekropolis
Rebecca Ore, Outlaw School
Rebecca Ore, Time's Child

I'm not sure I've read either of those particular books by Ore, but in general she is an interesting, cantankerous, knotty writer, with a lot more attention to class and the structures of capitalism than is typical for USian writers. My favorite of her books is Slow Funeral, recently republished by Aqueduct, which is about a witch in rural Appalachia.

McHugh's Nekropolis' deals with indentured servitude and artificial chemical imprinting in kind of scary ways. Hariba's been "jessed" to be subservient to her master, in return for food, shelter, and minimal wages, and is stirred to rebellion by the presence of a hami, a technoorganic hybrid who is bound to serve the emotional needs of its masters. McHugh is unsparing about the way the technological and social constraints affect perception (how Hariba perceives her master after being released is very different from how she perceives him before). And the take on the perfect robot boyfriend trope a la The Silver Metal Lover is just chilling. The near future Morocco didn't seem exoticized to me, but I'm not the best judge. [eta: [personal profile] zahrawithaz has significant reservations.]

Given the recent discussion of whether women write sf in particular, it's nice to remember that yes, they do, and yes, they have been for quite some time.

EVERYONE is wrong on the Internet

Jun. 18th, 2013 12:12 pm
legionseagle: (Default)
[personal profile] legionseagle
Well, it's one of those days, really.

Below the cut I'll be complaining about Stuart Hall's sentence of 15 months for a series of child sexual assaults spreading over the period 1967-1986. One of the principal things I'll be complaining about is people mansplaining the reasons for the low sentence and directing everyone who objects to the judge's sentencing remarks with the assumption that reading the sentencing remarks is the sort of thing that only Proper Serious (Male) Lawyers would dream of doing before going on the record to say "the 15-month term "surely cannot be strong enough for the seriousness and circumstances of the crime"*

Read more... )

I'm not saying the judge didn't have a difficult job, and I'm sure he did weigh everything very carefully. But that's no reason for assuming people looking at the situation and going, "That's wrong on every sense of the word wrong" must necessarily be doing so from a position of unbalanced ignorance either. And I can't help noting there's been a very strong gender split on the comments. For which I blame Hall's role as a sports commentator, to be honest.

Unlike the other area of annoyance today, Nigella Lawson and the assault****on her by her husband, where there seems to have been equal opportunity idiocy, with Nick Griffen and Cristina Odone more-or-less tied in first place.

ARGGH!

EVERYONE is wrong on the Internet!





*Comment from Silly Gurly (Female) Shadow Attorney-General Emily Thornberry and hence to be Diskarded Uterly
** When I did criminal law, one of the points I noted with a combination of bemusement and horror was that the maximum sentence for sexual assault on a female was 2 years and on a male 10 years.
*** The event which, according to Tom Lehrer, inspired him to give up satire
****Anyone wishing to get smart-alecky, that's what Saatchi accepted a caution for. ETA Really, if one has just been caught in a act of domestic violence - and yes, other idiot on the internet, just because it happens outside an expensive Mayfair restaurant doesn't stop it being "domestic" - comments like this don't make you sound less control-freaky: "The paparazzi were congregated outside our house after the story broke yesterday morning, so I told Nigella to take the kids off till the dust settled."
conuly: (Default)
[personal profile] conuly
Everybody is convinced that things were better when they grew up, and they use the most ridiculous ways to prove it. Inevitably, in some conversation about phonics, somebody who vaguely knows "phonics are better" but has no idea what that means will say that they know phonics are better because back in the 50s everybody learned from Dick and Jane and nobody of that age is illiterate today! And when talking about math, every single time, a dozen people will falsely proclaim that nobody was poor at math back when they or their grandparents grew up (whenever that was!) and that THEY certainly learned the traditional way - like everybody did up until ten years ago! (Some people never heard of New Math?)

Today I read one that made me roll my eyes. This kid was given two numbers - say 13 and 22 - and told to estimate the answer. She added the numbers, got 35, and was predictably marked wrong. This infuriated her father, as he commented, because "schools are just teaching kids what they'll never use instead of what they need to know!!"

I would've marked that one wrong too! She didn't do what was asked, which is round each number and THEN add. And I don't know about him, but I use estimation all the time. I certainly don't add up every single penny as I shop, I go to the nearest quarter. And I always find a reasonable range before adding (though if its only two numbers I do it without thinking) so that if I get a VERY wrong number I can tell before I check! But it's something about asking kids to estimate (never mind that, if my education was typical, most parents of my generation were formally taught to do that too) that seems to irritate people. People get irritated about lattice multiplication, but they get incensed about estimating and rounding. I just don't get it!
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